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Period
Composer
Title
Genre
Nationality
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All
Antiquity
Baroque
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Multiple Styles/Eras
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All
Air (Air de cour)
Anthem
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Ballade
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Ballet
Banjo/Guitar Music
Blues
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Canon
Canso (song)
Cantata
Cantiga
Canzona
Canzona (song)
Carol
Chamber Music
Chanson
Chant
Chant / Early polyphony
Choral Prelude
Chorale
Chorale Prelude
Clausula
Concerto
Concerto grosso
Concerto, sacred
Conductus
Dance
Dance (bassedanze)
Experimental Music
Fantasia
Frottola
Gigue
Greek Song
Hymn
Hymn Tune
Intabulation
Keyboard
Lauda
Lied
Madrigal
Magnificat
March
Mass
Monophony
Motet
Opera
Oratorio
Orchestral Music
Organ Music
Organum
Overture
Partsong
Passion
Piano Piece
Prelude (keyboard)
Psalm Setting
Quartet
Quodlibet
Rag
Requiem
Ricercar
Romance
Rondeau
Round (Rota)
Sacred Concerto
Sequence
Serenade
Sonata
Sonata da camera
Sonata da chiesa
Song
String Quartet
String Quintet
Suite (Keyboard)
Suite (orchestra)
Symphony
Textbook Article
Textbook Commentary
Toccata
Trio sonata
Trope
Variations
Versus
Villancico
Violin Music
Virelai
All
-
American
Argentinian
Australian
Austrian
Belgian
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Canadian
Chinese / Chinese-American
Cuban
English
English/German
Estonian
Finnish
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French
German
Hungarian
Irish
Italian
Latin
Malaysian
Mexican
N/A
Netherlandish
New Zealand
Norwegian
Polish
Russian
Spanish
UK
All
French
Latin
Greek
English
Spanish
Italian
German
Form
Key
Tonality
Meter
Texture
All
12-bar blues
AAB
ABBA
Accompanied recitative
Adagio-Allegro
Adagio-Allegro-Adagio (ABA')
Agnus Dei (AAA)
Agnus Dei (AB CB AB)
Agnus Dei (AB)
Agnus Dei (ABC + Coda)
Agnus Dei (ABC)
Agnus Dei (Ternary ABC)
Agnus Dei (Through-composed)
Agnus Dei (Through-composed)(
Agnus Dei: Ternary (ABC)
Air
Air and recitative
Allegro-Andante
Alleluia (Alleluia-Verse-Alleluia)
Alleluia-Verse-Alleluia
Anthem
Antiphon
Antiphon-Psalm-Doxology
Antiphon-Verse
Aria
Aria (AABB + Chorus Coda)
Aria (AABB)
Arioso
Arioso-Fugue
Arioso-Recitative
Ballade
Ballade (aabC)
Ballata (AbbaA)
Ballett
Bar form (AAB)
Benedictus (AB)
Binary
Binary (AA)
Binary (AA')
Binary (AABB)
Binary (AA'BB')
Binary (AB + Coda)
Binary (AB)
Binary (ABB)
Binary AA' + Coda
Burden-Verse
Cabaletto
Caccia
Canon
Canonic song
Cantabile
Cantabile-Cabaletta
Cantata
Canzonet
Chaconne
Chaconne (ABACADAEA)
Chanson
Choral madrigal
Chorale
Chorale fantasia
Chorale Prelude
Chorus
Clausula
Collect (Reciting Tone)
Communion (Antiphon)
Concerto grosso
Conductus
Credo (AB + Coda)
Credo (ABC)
Credo (ABCD)
Credo (ABCDE)
Credo (Binary AB)
Credo (Through-composed)
Credo: Binary (AB)
Da Capo
Da capo Air
Da capo aria
Da capo form
Da capo trio
Da-capo aria
Dance
Duet
Duet and choral madrigal
Duet and chorus
Duo
Epistle (Reciting Tone)
Fantasia
Free organum
French overture
Frottola
Frottola (AABBA'A'B'B')
Frottola (AABBCCAABB)
Fugue
Full anthem
Gloria (AB )
Gloria (AB + Coda)
Gloria (AB)
Gloria (AB)CD
Gloria (ABA)
Gloria (ABC)
Gloria (Binary AB)
Gloria (Ternary ABC)
Gloria (Through-composed)
Gloria: Binary (AB)
Gospel (Reciting Tone)
Gradual (Respond-Verse-Respond)
Grave-Andante
Ground bass (aria)
Ground bass (song)
Hymn
Imitative sections
Intabulation
Interrogatio-Responsio
Introit (Antiphon-Psalm-Antiphon-Doxology)
Isorhythmic motet
Ite, missa est (AA)
Ite, missa est (AAA)
Kyrie (AAABBBCCC)
Kyrie (AAABBBCCD)
Kyrie (ABC)
Kyrie (ABCC')
Kyrie (Ternary ABC)
Kyrie: Ternary (ABC)
Kyrie:Ternary (ABC)
Lesser Doxology
Lied
Lied intabulation
Madrigal
Madrigal (AAB)
Madrigal (in 2 parts)
Madrigal (in 4 parts)
Magnificat
March
March and Trio
Mass
Minuet and Trio
Motet
Motet (in three parts)
Motet (in two parts)
Multi-sectional
Nocturne
Offertory (Antiphon)
Opera: Ensemble (Quartet)
Opera: Ensemble (Sextet)
Opera: Finale
Organ Chorale
Organ verse
Organum
Organum duplum
Organum quadruplum
Organum triplum
Organum-Chant
Passacaglia
Passion
Pater Noster (Reciting Tone)
Pavane (AABBCC)
Pavane (AA'BB'CC')
Plainchant
Post-communion (Reciting Tone)
Preface (Reciting Tone)
Prelude
Prelude and Fugue
Prelude and Variations
Prelude-Recitative-Prelude-Air
Ragtime march
Recitative
Recitative and Aria
Recitative and Arioso
Reciting Tone
Respond
Respond-Verse
Respond-Verse-Respond
Ricercar
Ritornello
Ritournelle-Recitative
Rondeau
Rondeau (ABaAabAB)
Rondo
Rondo ABA'CA''
Rondo/Sonata
Round
Sacred concerto
Sanctus (AB)
Sanctus (ABA)
Sanctus (ABCD)
Sanctus (ABCDC)
Sanctus (ABCDE)
Sanctus (Through-composed)
Scena
Scena and Chorus
Scherzo and Trio
Sectional form (AA'BABA)
Sectional form (AABABABA)
Sectional form (AA'BB' + Coda)
Sectional form (AABBB')
Sectional form (AABB'CC')
Sectional form (AABBCCDD)
Sectional form (AA'BB'CC'DD')
Sectional form (AABCC)
Sectional form (AA'BCDE)
Sectional form (ABAB')
Sectional form (ABABA)
Sectional form (ABA'BA')
Sectional form (ABABAB + Coda)
Sectional form (ABABAB)
Sectional form (ABABC)
Sectional form (ABA'BCBA'A)
Sectional form (ABAC)
Sectional form (ABACA + Coda)
Sectional form (ABA'CA'')
Sectional form (ABACAB'A)
Sectional form (ABACDCECFDCEG)
Sectional form (ABBA)
Sectional form (ABC)
Sectional form (ABCB')
Sectional form (ABCBA + Coda)
Sectional form (ABCBDBE)
Sectional form (ABCD)
Sectional form (ABCDE)
Sequence
Sequence (ABBCCDDE)
Sinfonia
Sinfonia-Soloists-Sinfonia
Snactus (Through-composed)
Solo madrigal
Solo Motet
Solo(s)-Choral Ritornello
Sonata
Sonata (ABCA')
Sonata (ABCDE)
Sonata (No Dev)
Sonata Rondo
Sonata-allegro
Sonata-rondo
Sonatina
Song
Song (AB)B
Song-form
Strophic
Strophic
Strophic (16-measure form)
Strophic Aria
Strophic hymn
Strophic song
Strophic Variations
Substitute clausula
Tempo d'attaco
Tempo di mezzo
Ternary
Ternary (AABBAA Coda)
Ternary (ABA)
Ternary (ABA')
Ternary (ABC)
Ternary (Allegretto and Trio)
Ternary AA'A''
Ternary ABA'
Ternary ABA' + Coda
Ternary ABC
Ternary and Double Fugue
Ternary with Coda
Ternary-Variations
Theme and Variations
Through composed song
Through-composed
Through-composed (scena)
Toccata
Transition to reprise
Transition to V of F minor
Two-part anthem
Two-part chanson
Two-part motet
Variations
Verse anthem
Verse-Refrain
Versus
Villancico (ABBA)
Virelai
Virelai (AbbaA)
All
A
A-flat
B
B-flat
B-flat, C
C
C-sharp
D
D, E
D-flat
D-sharp
E
E-flat
F
F-sharp
G
G-flat
G-shap
G-sharp
N/A
All
[major]
Aeolian
Dorian
Hypoaeolian
Hypodorian
Hypoionian
Hypolydian
Hypomixolydian
Hypophrygian
Ionian
Lydian
major
major, minor
minor
minor, major
minor-major
Mixolydian
N/A
Phrygian
whole tone
All
[2/2]
[2/2], [3/2]
[2/4]
[2/4], [3/4]
[2]
[3/2]
[3/2], [2/2]
[3/2], [3x3/2], 4/4, 2x4/4, 6/4
[3/2], [Alla breve 2/2]
[3/2], [Alla breve 2/2], [3/4]
[3/2], Alla breve
[3/4, 6/8]
[3/4]
[3/4], [2/4]
[3/4], [4/4]
[3]
[3], [2/2]
[3], [2/2], [6/2]
[3], [4/2]
[3], [C]
[4/2]
[4/2], [3/2]
[4/2], [3/2], [2/2]
[4/2], [3]
[4/2], [3], [2/2]
[4/4 / 3/4]
[4/4]
[4/4], [12/8]
[4/4], [3/2]
[4/4], [3/4]
[4/4], [3]
[4/4], [6/4]
[5/8]
[6/4]
[6/8]
[6/8], [3/4]
[6/8], [3/4], [4/4]
[6/8], Polymetric
[Alla breve 2/2]
[Alla breve 2/2], [3/2]
[Alla breve 2/2], [3/4]
[Alla breve 4/2]
[Alla breve]
[C]
[C], [3/4]
[C], [3]
[C], 3/2
12/16=2/4
12/8
12/8, Alla breve [4/2], C [4/4], 3/2
2
2 [4/2], 3 [3/4]
2 [6/8]
2 x 6/8
2, 3
2/2
2/4
2/4, 6/8
2/8
2x3/2, 4/4, 3/2
3
3/[2], Alla breve [2/2]
3/[2], C [4/4]
3/2
3/2 (6/4)
3/2, [4/4]
3/2, [4/4], [2/2]
3/2, 2/2
3/2, 2x3/2, 4/4
3/2, 3/1
3/2, 3/1, 3x2/4
3/2, 3x3/2, 3x2/4
3/2, 4/4
3/2, C [4/4]
3/4
3/4, 2/4
3/4, 3/8
3/4, 4/2
3/4, 6/8
3/4, Alla breve [2/2]
3/4, C[4/4]
3/8
4/2
4/4
5/4, 6/4
6/4
6/4 (3/2)
6/4 3/2
6/4, 3/4
6/8
6/8, 3/4
7/8
9/8
9/8, 3/4
9/8, 3/4/, C [4/4]
9/8, Alla breve [2/2]
Alla breve
Alla breve (2/2)
Alla breve (2/2), 3/4, 3/8, C [4/4]
Alla breve [2/2]
Alla breve [2/2], 3/1,
Alla breve [2/2], 3/4
Alla breve [2/2], 6/4
Alla breve [2/2]???
Alla breve [4/2]
Alla breve [4/2], 3
Alla breve [4/2], C [4/4]
C
C (4/4)
C (4/4), 6/8
C [4/2]
C [4/4)
C [4/4/]
C [4/4]
C [4/4], 12/16, 6/8
C [4/4], 2/4
C [4/4], 3/4
C [4/4], 3/4, 12/8
C [4/4], 3/4, 3/8
C [4/4], 3/4, 6/8
C [4/4], 3/8
C [4/4], 6/8
C [4/4], Alla breve [2/2]
C, 6/2, 3/2
C[4/4], 3/4
Mixed
N/A
Unmeasured
Unmetered
unmetered, [6/8]
All
2 instrumental choirs, organ
2 tenor voices and continuo
2 violins and basso
2 violins and continuo
2 violins and orchestra
2 voices
2 voices (CT)
2 Voices (Duplum, Tenor)
2 voices (MT)
2 voices (SS) and continuo
2 voices and bass line
2 voices and continuo
2 Voices and orchestra
2 voices, 2 violins, continuo
2 voices, basso, orchestra
2 voices, continuo, chorus, orchestra
2 voices, oboe, continuo
2 voices, oboe, violin, continuo
2 voices, organ, violoncello, violone
2 voices, violin, continuo
2, 3 voices
3 instrumental voices
3 v oices (TrCCt)
3 violins and continuo
3 voices
3 voices (ATB)
3 voices (CCtT)
3 voices (CTB)
3 voices (DCtT)
3 voices (DTCt)
3 voices (STB)
3 voices (STCt)
3 voices (TrCtT)
3 voices (TrDC)
3 voices (TrDT)
3 voices (triplum, motetus, tenor)
3 voices (TrMT)
3 voices and continuo
3 voices and keyboard
3 voices and orchestra
3 voices, violins, continuo
4 instrumental voices
4 voices
4 voices (ATTB)
4 voices (CATB)
4 voices (CCCtT)
4 voices (CCtTB)
4 voices (CtCtTB)
4 voices (DDTCt)
4 voices (DTCaCb)
4 voices (QTrDT)
4 voices (SAA/TB)
4 voices (SATB)
4 voices (SCtTB)
4 voices (SSAB) and continuo
4 voices (STCtCt)
4 Voices (Tr, Du, T1, T2)
4 voices (TrATB)
4 voices (TrCCtT)
4 voices (TrCtTB)
4 voices (TrMCtT)
4 voices (TrMTCt)
4 voices (TrMTT)
4 voices (TTBB)
4 voices, chorus, orchestra
5 instrumental voices
5 instrumental voices and continuo
5 parts
5 voices
5 voices (CAATB)
5 voices (CAQTB)
5 voices (CATBB)
5 voices (CATQB)
5 voices (CATTB)
5 voices (CQATB)
5 voices (CQATB) and continuo
5 voices (SATBB)
5 voices (SATTB)
5 voices (SCtTBB)
5 voices (SDCtTB)
5 voices (SQCtTB)
5 voices (SSATB)
5 voices (TrAATB)
5 voices and continuo
5 voices and orchestra
6 soloists, 2 choirs, orchestra
6 voices
6 voices (CAATBB)
6 voices (CASTQB)
6 voices (CATTBB)
6 voices (CQATSB)
6 voices (CSAQTB)
6 voices (DDCtTTB)
6 voices (DQCtTSB)
6 voices (SCtTSxQB)
6 voices (SSAATB)
6 voices (SSATTB)
6 voices (SSSATB) and continuo
7 voices (CCAATBB)
banjo
Chorus
chorus and orchestra
Concertino and concerto grosso
Concertino, Ripieno
Double Chorus
Duet and orchestra
Guitar
Guitar or keyboard
Instrumental duet
Instrumental quartet
Instrumental solo
keyboard
keyboard (open score)
keyboard (organ)
kyeboard
Lute
Mixed quartet
Monophonic
Monophonic chant
Monophonic chant, 3 voices
Orchestra
Orchestra (piano reduction)
Organ
Organum duplum
Piano
Piano and Orchestra
Piano quartet
SATB
SATB chorus and orchestra
Solo piano and orchestra
Solo vihuela
Solo violin
Solo violin and basso
Solo violin and continuo
Solo violin and orchestra
Solo voice
solo voice (transposing treble clef)
solo voice (treble clef)
Solo voice and bass line
Solo voice and continuo
Solo voice and keyboard
Solo voice and lute
Solo voice and orchestra
Solo voice, 2 violins, continuo
Solo voice, continuo, orchestra
Solo voice, continuo, SATB chorus, orchestra
Solo voice, strings, continuo
Solo voice, trumpet, continuo, SATB chorus
Solo voices and continuo
Solo voices, 2 obbligato instruments, continuo
Soloist (duplum) and Chorus (tenor)
Soloists and Orchestra
Soloists, chorus, and orchestra
soloists, chorus, orchestra
Solos, trio, chorus, continuo
String Orchestra
String Quartet
String Quintet
Two trebles and continuo
Violin and organ continuo
Violin, Cello, Piano
Vocal quartet with orchestra
Vocal trio with orchestra
Voice (baritone) and orchesstra
voice (bass clef)
Voice (bass clef) and piano
Voice (soprano) and orchestra
voice (transposing treble)
Voice (treble clef) and piano
Voice and continuo
Voice and lute
Voice and orchestra
Voice and piano
Voice(s) and orchestra
Voice, 2 violins, continuo
Voice, 3 recorders, continuo
Voice, Duet, and continuo
Voice, flute, continuo
Voice, Trio, and continuo
Voice, unison violins, basso continuo
Voice, violins, continuo
Voices and continuo
Voices and orchestra
Voices, 2 flutes, continuo
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Twentieth Century
Textbook Article
Atlas, Allan (author)
Ralph Vaughan Williams's Fantasia on a Theme by Thomas Tallis
Medieval
Textbook Article
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Textbook Article
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Textbook Article
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Textbook Article
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Verdi’s La traviata: The Fiasco, the Furor, and the Singers Who Caused Both
Baroque
Textbook Commentary
Laurance, Emily, et al. (authors)
Monteverdi: Orfeo, Act 2 (Commentary) by Emily Laurance, et al.
Medieval
Textbook Commentary
Laurance, Emily, et al. (authors)
Anonymous: Jubilemus exultemus (Commentary) by Emily Laurance, et al.
Renaissance
Textbook Commentary
Laurance, Emily, et al. (authors)
Ockeghem: Missa prolationum, Kyrie (Commentary) by Emily Laurance, et al.
Medieval
Textbook Commentary
Laurance, Emily, et al. (authors)
Adam: De ma dame (Commentary) by Emily Laurance, et al.
Medieval
Textbook Commentary
Laurance, Emily, et al. (authors)
Anonymous: Victimae paschali laudes (Commentary) by Emily Laurance, et al.
Medieval
Textbook Commentary
Laurance, Emily, et al. (authors)
Machaut: Rose, liz (Commentary) by Emily Laurance, et al.
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